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Poser 7 Course

10hrs (100 Lessons) 2007-12-12

This Course can only be played using a subscription. You can play only first 3 chapters for free. Click Here to avail a subscription
Poser 7 is one of the most preeminent figure posing and animation pieces of software available. An important asset to have in any serious 3D creator's 3D toolbox, Poser 7 files can be imported into popular 3D programs like Maya, Lightwave, Vue and Carrara, making figure and animal animation much easier. Thanks to the new environmental/image-based-lighting (IBL), and Talk Designer, levels of realism are now easier than ever to quickly achieve. This tutorial, authored by Mark Bremmer, was created with both the 3D beginner and seasoned commercial user in mind. Hobbyists and professionals alike will learn how to quickly integrate Poser 7 into a production pipeline and streamline workflow to efficiently and effectively create content for multimedia presentations. Work files are included. To begin learning today, simply click on one of the Poser 7 movie links.

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  • Course: Poser 7
  • Author: Mark Bremmer
  • SKU: 33830
  • ISBN: 1-934743-37-2
  • Work Files: Yes
  • Captions: For Online University members only
  • Subject: Animation & 3D
  • The first 3 chapters of courses are available to play for FREE (first chapter only for QuickStart! and MasterClass! courses). Just click on the movie link to play a lesson.
Course outline
Introduction
Welcome (02:09)

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Before Getting Started

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Interface

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Library (06:57)

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Controls-Camera (07:04)

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Animation/UI (06:13)

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Document Window Controls

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Posing Figures

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Auto Balance (05:57)

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Adding & Posing with Props

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Changing & Morphing Characters
Morph Dial (06:41)

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Magnet pt. 1 (06:24)

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Magnet pt. 2 (05:54)

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Materials

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Face Room
Default Faces (06:40)

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Hair Room

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Hair Styling (06:40)

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Dynamics (04:05)

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Cloth Room
Basic pt. 1 (06:39)

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Basic pt. 2 (06:39)

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Lighting & Scene Building

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Point & IBL (06:40)

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Animating

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Layers (06:36)

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Walk Designer
Basic Walk (06:08)

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Path Walk (06:12)

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Talk Designer

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Set Up Room

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Rendering

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CODECs (05:32)

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Conclusion

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About the Author

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