Adobe Photoshop - Mastering CORE Concepts presents all the essential aspects of digital imaging in easy to understand terms. This course will prove to be your most important resource for Photoshop Training. Whether you are using Photoshop Elements or the latest version of Photoshop CS, you'll discover key techniques to get the most from these great image editing applications. From computer set-up and monitor calibration to image correction, printing and web, this course has it all! To begin learning simply click on one of the movie links.
Introduction - Defining the Pixel
How Computers Store Color Info - pt. 1
How Computers Store Color Info - pt. 2
Looking at Color in Real World Images
Creating Shading with Pixel Dithering
Creating Colors with Pixel Dithering
Hue / Saturation and Brightness
Tonal Range: Highlights-Midtones-Shadows
Characteristics of Bitmap Images
Characteristics of Grayscale Images
Characteristics of True Color Images
Characteristics of Indexed Color Images
Characteristics of CMYK Images
File Sizes of Raster Images on Disk
Determining Monitor Resolution
When to Change Your Screen Resolution
Resolution of On-screen Images
Calibrating with Adobe Gamma - pt. 1
Calibrating with Adobe Gamma - pt. 2
Calibrating with Adobe Gamma - pt. 3
Calibrating with Adobe Gamma - pt. 4
Creating a More Accurate Monitor Profile
Color Management in Photoshop Elements
Color Management in Photoshop CS
Scanning Resolution - The Magic Number
Hardware Installation and Drivers
Determining Our Magic Number - pt. 1
Determining Our Magic Number - pt. 2
The Importance of Optical Resolution
Naming and Saving the Test Scans
Comparing the 50 spi and 200 spi Scans
Printing the Test Scans at High Quality
The Magic Number for Other Media
The Magic Number for Commercial Printing
The Magic Number for Web Graphics
Image Restoration and The Magic Number
Sharpening with the Unsharp Mask Filter
Why 72 ppi is Irrelevant on the Screen
Quick Summary of Rescaling - Resampling
Using Both Rescaling and Resampling
Image Resolution and Viewing Distance
Calibrating a 4-Color Inkjet Printer
Updating the HP1200 Printer Driver
Obtaining a Printer Calibration Image
Disabling Windows Color Management
Disabling Automatic Driver Settings
Examining the Calibration Test Image
Making the First HP1200 Test Print
Evaluating the First HP1200 Test Print
Correcting the HP1200 Output Settings
Calibrating a 6-Color Inkjet Printer
Installing the Epson R340 Inkjet Printer
Configuring the Epson R340 Printer
Calibrating the R340 in Photoshop
Making the First R340 Test Print
Evaluating the First R340 Test Print
Correcting the R340 Output Settings
Evaluating the Second R340 Test Print
Setting New Defaults for the R340
What to do with Your Perfect Print
Evaluating the Automatic Result
Switching the Scanner to Manual Mode
Scanner Configuration Settings
Scanning the Calibration Target
Evaluating the First Manual Scan
Adjusting at the Scanning Stage
Evaluating the Manually Adjusted Scan
Scanning with Image Color Management
Manually Adjusting the ICM Scan
Evaluating the Manual ICM Scan
Saving the Color Corrected Scans
Which is Better - Color Controls or ICM
Scanning with No Color Correction
Evaluating the No Color correction Scan
Saving the No Color Controls Scan
Scanning with a Calibrated System
Gray Shades from Black and White Printers
The RIP - Raster Image Processor
How Halftone Spots are Created
Halftone Spots from a 2400 dpi Printer
256 Shades from a 1200 dpi Laser Printer
Scanning Resolution and Line Screen
How Color Images are Converted to Printer Dots
Analyzing CMYK Ink Contributions
Color Halftones and Screen Angles
Masking with the Magic Selection Brush
The Color Range Command - pt. 1
The Color Range Command - pt. 2
Compositing into Another Image
Masking Images in Photoshop CS
Compositing the Llama and Zebra - pt. 1
Compositing the Llama and Zebra - pt. 2
Extracting with Elements - pt. 1
Extracting with Elements - pt. 2
Correcting Color with Variations
Resizing to Make a 4 x 6 Inch Print
Skewed Poster – A Case History
Working with a Keystoned Image
Transforming a Selection with Distortion
Sharpening with the Unsharp Mask Tool
Adjusting the Tonal Range using Levels
Defining the True Shadow Areas
Combing - How to Compensate for Combing
Using a Levels Adjustment Layer
Restoring Details with a Layer Mask
Using the Red Eye Removal Tool
Using a Levels Adjustment Layer
Using a Hue-Saturation Adjustment Layer
Creating a 4x6 Inch Photo Quality Print
Multiply Blend Mode to Darken Highlights
Screen Blend Mode to Brighten Shadows
Adjusting Shadows Using a Layer Mask
Toggling the Layer Mask Off and On
Viewing the Mask in the Image Window
Rubylith Overlay Inside the Layer Mask
Adjusting Highlights Using a Layer Mask
Adjusting the Hue in Unmasked Areas
Cropping to a Preselected Size
Scanning at Very High Resolutions
Comparing a 200 spi to a 600 spi Scan
Mechanics of the Clone Stamp Tool
Mechanics of the Healing Brush Tool
Fixing Tears with the Healing Brush Tool
When to Favor the Clone Stamp Tool
When to Favor the Healing Brush Tool
Techniques for Professional Retouching
Impracticality of the Clone Stamp Tool
Adjusting Radius and Threshold
Removing Scratches and Larger Flaws
Cropping with a Fixed Size Marquee
Making a Photo Quality 4 x 6 Inch Print
Assessing the First Flawed Portrait
Working Non-Destructively with Layers
Sample All Layers with Cloning
The Lighten Blend Mode with Cloning
Reducing Corrections with Opacity
Sample All Layers and Healing Brush
Assessing the Second Flawed Portrait
The Merit of Auto Color Correction
Saving Images in the JPG Format
Cropping Out Unnecessary Image Areas
Resizing the Image for the Web Page
Saving Images with Save for Web
Determining Download Times for Images
Color Profiles in Optimized Images
Web Images and Computer Environments
Resizing Images in Save for Web
Review - Saving Photos for the Web
Optimizing Artwork Images - pt. 1
Optimizing Artwork Images - pt. 2
Saving the Optimized GIF Image
Creating a GIF Image with Transparency
Viewing the Transparent GIF in Explorer
Color Fringes in Transparent GIFs
Disabling Color Management Policies
Creating an Action from Scratch
Applying an Action as a Batch Job
Converting PowerPoint Presentations - pt. 1
Converting PowerPoint Presentations - pt. 2
Applying Our Action as a Batch Job
Preparing Photos for Tribute Videos
Preparing Images for Digital Video - pt. 1
Preparing Images for Digital Video - pt. 2
Preparing the Horizontal Images - pt. 1
Preparing the Horizontal Images - pt. 2
Batch Process - Contact Sheets
Batch Process - Web Sites - pt. 1
Batch Process - Web Sites - pt. 2
Automation in Photoshop Elements
Starting Photoshop with its Default Settings
Configuring Photoshop's Color Settings
Configuring the CMYK Working Space
Preparing the Image - Open the File
Correcting with Adjustment Layers
Review - RGB to CMYK Preparation
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