Recording / Tracking Case Study II
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Subtitles of the Movie
You might have to adjust your mix when you audition your take, Again always keep a positive vibe happening in the studio, you may even become part-time counselor. You wouldn't want to say - hey, the first half of that vocal, it's really hurting me. Instead you could say - hey, why don't we save that one, and try tracking on the downbeat, or whatever you want to say, as long as it is positive. So we call our new playlist, take two, and we free up that track. Then we go back to our original, we want to make sure that we rename the important takes. As long as your singer isn't looking, you could say Lead Vox bad in, if they were looking, you could type maybe in. A lot of times, people get attached to a take, until they hear it without the take. Now suddenly you'll have them saying, wow I am hearing something completely different on the first part of that verse, let's do it again. Then we save our good take, and we've polite about it, and the singer thinks it's all their idea, so you name it something meaningful, I like to use the words from the lyric and now, from our audio regions list, you will be able to spot that take for doubling, or to use it elsewhere in the song. If you've even got one good take in that session, it's a success and you may have to rebook to track more.
Tutorial Information
| Course: | Pro Tools LE |
| Author: | Jonathan Kagi |
| SKU: | 33363 |
| ISBN: | 1930519664 |
| Release Date: | 2002-07-24 |
| Duration: | 9.5 hrs / 122 lessons |
| Captions: | For Online University members only |
| Compatibility: |
Vista/XP/2000, OS X, Linux QuickTime 7, Flash 8 |
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