Subtitles of the Movie

I am thinking that the most efficient way to fix the distress portion of that script is to rerecord it. To record it with better values, and what I'll do is get to that point where I was before by selecting all, copying and pasting. And working on the layer I will begin recording, and go to the distress item and I've already checked to see what levels I liked better than before. So these are the levels, and I am still using the Vincent paper, so now I'll click OK. And I can stop and call that simply distress, click OK, and I practiced before you can see so I will replace the earlier version; yes this time I'll accept this version. Now I am going to open that script, open distress, and I think I can skip down to just that entry which ought to have all of the values that I selected second time around, and I will simply use the copy command so that I can then close this script and open the original distress soften script, and replace what I used before. So we'll go here to distress and we will cut that. Now I have selected the compositing method that we used as a way to enable my script editor to know where I want to paste, and what I am pasting of course is the new and improved distress values. We can close this script, and if we return now to the default value of the original version of the lemons, let's pay the script and see how it works. Distress soft, we'll hit the play button, and we should see each of those commands take place. Let's move forward and see how that works on some of our other fruit images; let's play on the pears, and let's play it on the Strawberries. Now that's a lot darker than we want I think; let's take a look at the layers, the individual layers, and we see that the distress layer is considerably darker because the image itself was darker than the Lemons image. The nice thing about having had both of these layers still intact, is that we can go back and apply a different setting to the top layer.