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Alright, let us finish up dear old dad here; we got that big tear after all. We got most of it, but we didn't either did we, let us get this. And since that's not a solid line we can get it pretty easily, then again, we go down here and we get this. Be very careful, you want to put it in the exact same place. We go up here, it didn't do too well, did it? We could have done better and actually we've got a place on the nose here, too, that I did not see before. Here is another little area and I am getting really picky, but I just wanted to just demonstrate to you how really fine these corrections can be. We are going to use the healing brush tool here because we need to average. I do not have any place to sample from over here because if I take this sample and put it down here, it is not going to color right. I take this one we get the same problem. I've got little area right here that I can sample, but we don't have anything to match it, so let's do the best we can and I believe that skin is about perfect. Then we have other blotches around here, let us take care of this line, there is place right here we need to get. That is part of the buckle; we don't want to mess with that. See how all that blends together, now see that is what happens when the sample point and the application point are different-- you get that offset. Alright we are going to go back and fix that, it is still wrong, let's try again go up here. Sometimes it takes a while, now that is close enough. I think you reach a point when you just go heck with it, it doesn't pay to continue to try to get perfection. There's a point of diminishing returns on how much time you spend on any one thing when you are doing this. Now there is a bad sample, let's get close to it. I will use the patch tool for this, we have this area right here, let us go over here, over here and then here, we still have areas right here to get. Again we are going to sample the transition points, see that one went perfect. Let us keep this and we clean that up, now I am going to look here, here we go, over and back, over and back and it' going to look swell. Now I'm having second thoughts about whether that's really a buckle or not; I don't think it is, let's take it out. Yes, we have got a tear down here, and then we have some minor areas down here but I think you know that all we have to do is just kind of dab and get this fixed. So I think we are about finished with dear old dad, how does that look? And that is how you do it, repair tears with Photoshop.
| Course: | Adobe Photoshop Image Restoration |
| Author: | Phil Hawkins |
| SKU: | 33473 |
| ISBN: | 1932072705 |
| Release Date: | 2004-01-27 |
| Duration: | 4.5 hrs / 77 lessons |
| Captions: | No |
| Compatibility: |
Vista/XP/2000, OS X, Linux QuickTime 7, Flash 8 |