Adobe Photoshop for Photographers (3rd Edition) Tutorials
Online Contents For This Course
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Course Description
Adobe Photoshop for Photographers (3rd Edition) focuses on three main areas of interest: professional photography techniques, supercharging user workflow, and releasing user creativity. VTC author, Gavin Phillips, shows users how to greatly increase workflow and productivity using Photoshop, while also becoming more "business creative" in the process. Learn how to create tasteful and marketable artistic effects in less than five minutes using custom actions, all of which are included on the tutorial. To begin learning today, simply click on one of the Adobe Photoshop for Photographers (3rd Edition) lessons.
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Introduction
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| Introduction | (03:35) | ||
| Customizing Your Workspace | (01:28) | ||
| Essential Shortcuts | (05:38) | ||
| Taking Snapshots | (01:43) | ||
| Customizing Your Keyboard Shortcuts | (02:02) | ||
| Tool Presets | (02:26) | ||
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File Browser & Contact Sheets
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| File Browser Basics | (03:08) | ||
| Exporting Cache/Altering Metadata | (02:22) | ||
| Batch Renaming/Assigning Keywords | (03:36) | ||
| Create a Contact Sheet | (02:43) | ||
| Picture Package | (01:20) | ||
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Brushes/Font Styles
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| The Brushes Palette | (02:39) | ||
| More Creativity with Brushes | (03:31) | ||
| Creating Your Own Styles | (02:41) | ||
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Masking
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| What is Masking? | (02:26) | ||
| Simple Masking | (02:03) | ||
| Quickmask | (02:42) | ||
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Selections/Patterns
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| Removing People From Photos | (02:00) | ||
| Using the Extract Filter pt. 1 | (06:13) | ||
| Using the Extract Filter pt. 2 | (04:07) | ||
| Changing Backgrounds | (03:34) | ||
| Creating Your Own Backgrounds | (04:51) | ||
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Adjustment Layers/Blending Modes
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| Blending Modes/Adjustment Layers | (02:19) | ||
| Curves Adjustment | (02:35) | ||
| Levels Adjustment | (01:40) | ||
| Hue/Saturation Adjustment | (01:34) | ||
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Color Correction/Sharpening
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| Improving Auto Color Default Settings | (03:51) | ||
| Curves Color Correction | (02:28) | ||
| Levels Color Correction | (01:23) | ||
| Removing Red Face | (03:31) | ||
| Sharpening | (03:34) | ||
| Dodge & Burn Tool | (02:47) | ||
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Converting to B/W
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| Channel Mixer | (02:02) | ||
| Lab Color | (01:20) | ||
| Calculations | (02:25) | ||
| Channels | (05:11) | ||
| Using the B/W Actions | (04:06) | ||
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Using Camera RAW
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| Digital Negative Converter | (01:58) | ||
| RAW Interface pt. 1 | (03:37) | ||
| RAW Interface pt. 2 | (02:25) | ||
| Expediting Your RAW Workflow | (05:06) | ||
| Batch Processing RAW | (05:04) | ||
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Toning
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| Using Duotones/Tritones | (04:20) | ||
| Selenium Toning | (02:20) | ||
| Cross-Processing | (02:45) | ||
| 1920s Sepia & Cyanotype | (03:48) | ||
| Hand Coloring pt. 1 | (04:49) | ||
| Hand Coloring pt. 2 | (04:26) | ||
| Hand Coloring pt. 3 | (03:26) | ||
| Multitone Action | (02:30) | ||
| Sepia & Color | (01:26) | ||
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Actions/Droplet
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| Creating & Loading Actions | (03:31) | ||
| Automation Using Actions | (02:56) | ||
| Saving Actions-Inserting Messages | (01:33) | ||
| Learning From Actions | (01:35) | ||
| Create a Droplet | (01:29) | ||
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Retouching
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| Retouch in 5 minutes | (04:38) | ||
| Retouch in 20 minutes pt. 1 | (04:16) | ||
| Retouch in 20 minutes pt. 2 | (05:54) | ||
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Classic Photo Effects
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| Bleached | (01:15) | ||
| Dreamy Boy | (01:30) | ||
| 1950's | (01:30) | ||
| Glamour | (02:14) | ||
| Antiqued & Aged | (03:00) | ||
| Romantic Color & Maroon | (02:05) | ||
| Photo Collage | (02:33) | ||
| Blue Grain | (02:07) | ||
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Painted Effects
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| Abstract | (02:46) | ||
| Watercolor pt. 1 | (01:39) | ||
| Watercolor pt. 2 | (01:58) | ||
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Alternative Photo Effects
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| Painted Blue | (01:13) | ||
| Paint White | (01:58) | ||
| Toned Drawing | (01:53) | ||
| Hard White | (04:11) | ||
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Conclusion
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| Wrap it Up | (01:15) | ||
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Credits
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| About this Author | (00:51) | ||
Course Information
| Course: | Adobe Photoshop for Photographers (3rd Edition) |
| Author: | Gavin Phillips |
| SKU: | 33611 |
| ISBN: | 1-932808-56-6 |
| Release Date: | 2005-03-31 |
| Duration: | 4 hrs / 76 tutorials |
| Work Files: |
Yes |
| Captions: | No |
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